Alleluja

Composed by
Andreas Hammerschmidt
Arranged by
Jock McKenzie
Price
£ 14.00 

Andreas Hammerschmidt was a German Bohemian composer and organist of the early to middle Baroque era and was one of the most significant and popular composers of sacred music in Germany in the middle 17th century

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones (or Euph)
  • 1 Tuba
  • All Alternative Brass Parts Included

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Description

Andreas Hammerschmidt (1612–1675) was a German Bohemian composer and organist of the early to middle Baroque era. He was one of the most significant and popular composers of sacred music in Germany in the middle 17th century. He was born at Brüx, a small Protestant community in Bohemia, to a Saxon father and a Bohemian mother. In 1626 his entire family had to flee Bohemia as religious refugees during the Thirty Years' War after it had become Catholic; they settled in Freiberg, Saxony, where Andreas received his musical education. Hammerschmidt wrote music according to the strict Protestant canon. He wrote motets, concertos and arias, and almost all of his output is sacred vocal music in the concertato style.  Many of his compositions are in the form of the Chorale Monody, an adaptation of the early Italian Baroque form. He represents the second generation of composers who distilled a native German Baroque tradition out of forms and styles imported from Italy. Some of his concertos are written for large ensembles, with diverse combinations of instruments and voices. He wrote these pieces mainly for Sundays and church feast days. Although he was an organist all of his life, no organ music of his has survived. Much of his instrumental music has survived in three publications; most of these are suites of dances influenced by the English style which was prevalent in the northern part of Germany at that time.

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

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