What a Wonderful World

Composed by
George David Weiss & Bob Thiele
Arranged by
Jock McKenzie
Price
£ 25.00 

What a Wonderful World is a song written by Bob Thiele and George David Weiss. It was first recorded by Louis Armstrong and released in 1967.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 3 Percussion (Optional) - Glockenspiel,Vibraphone & Xylophone
  • All Alternative Transposed Parts Included

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Description

What a Wonderful World topped the pop charts in the UK, but performed poorly in the USA because Larry Newton, the president of ABC Records, disliked the song and refused to promote it. After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999. Thiele produced the track under his own name, but as a co-composer was initially credited under the pseudonym George Douglas. His real name has appeared on it from its 1988 issue onward. One source claims the song was first offered to Tony Bennett, who turned it down, although Louis Armstrong biographer Ricky Riccardi disputes this. In Graham Nash's book Off the Record: Songwriters on Songwriting, George Weiss says he wrote the song specifically for Louis Armstrong, as he was inspired by Armstrong's ability to bring together people of different races. Armstrong was gigging at the Tropicana Hotel in Las Vegas, so he chose to record the song nearby at Bill Porter’s United Recording studio. The session was scheduled to follow Armstrong's midnight show, and by 2 am the musicians had settled down and the tape was rolling. Arranger Artie Butler was there with songwriters Weiss and Thiele, and Armstrong was in the studio singing with the orchestra. Armstrong had recently signed to ABC Records, and ABC president Larry Newton showed up to photograph Armstrong. Newton wanted a swingy pop song like Hello, Dolly, a big hit for Armstrong when he was with Kapp Records, so when Newton heard the slow pace of What a Wonderful World, he tried to stop the session. Newton was physically removed and locked out of the studio for his disruption, but a second problem arose: Nearby freight train whistles interrupted the session twice, forcing the recording to start over. Armstrong shook his head and laughed off the distractions, keeping his composure. The session ended around 6 am, going longer than expected. To be sure the orchestra members were paid extra for their overtime, Armstrong accepted only $250 musicians' union scale for his work. The song gradually became something of a standard and reached a new level of popularity. An episode of The Muppet Show produced in 1977 and broadcast early in 1978 featured Rowlf the Dog singing the song to a puppy. In 1978, it was featured in the closing scenes of BBC radio's The Hitchhiker's Guide to the Galaxy and was repeated for BBC's 1981 TV adaptation of the series. In 1988, Armstrong's recording was used in the film Good Morning, Vietnam. It is also the closing song for the 1995 movie 12 Monkeys and the 1998 film adaptation of Madeline. The ABC television sitcom Family Matters also used Armstrong's version as the show's theme song.

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

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