Black Bottom Stomp

By
Jelly Roll Morton
Arranged
Jock McKenzie
Price
£ 14.00 

"Black Bottom Stomp" was composed by in 1925 and was originally entitled "Queen of Spades". It was recorded in Chicago by Morton and “His Red Hot Peppers” in 1926.

  • Bite-Size Brass Band
  • 3 Cornets
  • 1 Flugel
  • 1 Tenor Horn
  • 3 Trombones
  • 1 Euphonium
  • 1 Tuba
  • 1 Drum Kit

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Description

Ferdinand Joseph LaMothe, professionally known as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer who started his career in New Orleans, Louisiana. Widely recognised as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues" was the first published jazz composition in 1915. Morton is also notable for writing such standards as "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say”. Notorious for his arrogance and self-promotion, Morton claimed to have invented jazz outright in 1902, much to the derision of fellow musicians and the critics. At the age of fourteen, Morton began working as a piano player in a brothel (or, as it was referred to back then, a sporting house). In that atmosphere, he often sang smutty lyrics and took the nickname "Jelly Roll". While working there, he was living with his religious, church-going great-grandmother; who he convinced that he worked as a night watchman in a barrel factory. After Morton's grandmother found out that he was playing jazz in a local brothel, she kicked him out of her house and told him that “devil music” would surely bring about his downfall. Born in downtown New Orleans, Louisiana, his exact birth date differs depending to whichever source you want to believe; his half-sisters claimed he was born in September 1885, but his World War 1 draft card showed September 1884 and his California death certificate listed his birth as September 1889. He died in 1941 in Los Angeles.

"Black Bottom Stomp" was composed by in 1925 and was originally entitled "Queen of Spades". It was recorded in Chicago by Morton and “His Red Hot Peppers” in 1926. This recording has many features that are typical of the New Orleans style and was written for a line-up of trumpet, clarinet and trombone, piano, banjo, bass and drums. Morton practiced what he preached and managed to incorporate in one short piece an original work derived from multi-thematic ragtime structures, accompanied by a percussive "slapped" bass used to help keep time, trombone counter-melody tailgating, stomps, breaks, stoptime, backbeat, two-beat, four-beat, riffs, and a rich variations of melody and dynamics of volume; all the elements of jazz that he understood so well.

“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

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