It Don’t Mean a Thing

By
Duke Ellington
Arranged
Jock McKenzie
Price
£ 20.00 

It Don't Mean a Thing (If It Ain't Got That Swing) by Duke Ellington. Jazz historian Gunther Schuller characterised it as "legendary" and "a prophetic piece and a prophetic title." The song became famous as the expression of a sentiment which prevailed among jazz musicians at the time."

  • Bite-Size Brass Band
  • 3 Cornets
  • 1 Flugel
  • 1 Tenor Horn
  • 3 Trombones
  • 1 Euphonium  
  • 1 Tuba
  • 1 Drum Kit

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Description

It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 composition by Duke Ellington, with lyrics written by Irving Mills. Jazz historian Gunther Schuller characterised it as "legendary" and "a prophetic piece and a prophetic title." The song became famous as the expression of a sentiment which prevailed among jazz musicians at the time." Ellington credited the saying as a "credo" for his former trumpeter, Bubber Miley, who was dying of tuberculosis at the time. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.

Edward Kennedy "Duke" Ellington (1899–1974) was an American composer, pianist and jazz orchestra leader, which he led from 1923 until his death over a career spanning more than six decades. Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured Europe. Although widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle and referred to his music as part of the more general category of American Music rather than to a musical genre such as jazz. Some of the jazz musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy. Ellington also recorded songs written by his bandsmen, for example Juan Tizol's "Caravan", and "Perdido", which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions and suites. Ellington was noted for his inventive use of the orchestra and for his eloquence and charisma. His reputation continued to rise after he died and he was awarded a posthumous Pulitzer Prize Special Award for music in 1999.


“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

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