Abendlied (Evening Song)

By
Josef Gabriel Rheinberger
Arranged
Jim Alexander
Price
£ 11.00 

Abendlied (Evening Song) is a sacred motet for a six-part mixed choir. It is regarded as one of Rheinberger's most famous sacred composition and was written in 1855 when the composer was just aged 15 years old.

  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba

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Description

Josef Gabriel Rheinberger (1839-1901) was an organist and composer, born in Liechtenstein and resident for most of his life in Germany. Rheinberger, whose father was the treasurer for the Prince of Liechtenstein, showed exceptional musical talent at an early age. When only seven years old, he was already serving as organist of the Vaduz parish church, and his first composition was performed the following year. In 1851, his father, who had initially opposed his son's desire to embark on the life of a professional musician, relented and allowed him to enter the Munich Conservatorium. Not long after graduating, he became professor of piano and of composition at the same institution. The stylistic influences on Rheinberger ranged from contemporaries such as Brahms to composers from earlier times, such as Mendelssohn, Schumann, Schubert and, above all else, Bach. He was also an enthusiast of English and German painting and literature. Abendlied (Evening Song) is a sacred motet for a six-part mixed choir. It is regarded as his most famous sacred composition and was written in 1855 when the composer was just aged 15 years old. The text is a verse from the Gospel according to Luke 24:29 drawn from Martin Luther's German version of the bible.

Bleib bei uns, denn es will Abend werden, und der Tag hat sich geneiget.


“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

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