Adoration

Composed by
Florence B. Price
Arranged by
Jock McKenzie
Price
£ 20.00 

Following her death in 1953, much of her work was overshadowed as new musical styles emerged that fit the changing tastes of modern society. Some of her work was lost, but as more African-American and female composers gained attention for their works, so has Price. In 2001, the Women's Philharmonic created an album of some of her work. In 2011, pianist Karen Walwyn and The New Black Repertory Ensemble performed Price's Concerto in One Movement and Symphony in E minor. In 2009, a substantial collection of her works and papers was found in an abandoned dilapidated house on the outskirts of St. Anne, Illinois, which Price had used as a summer home. These consisted of dozens of her scores, including her two violin concertos and her fourth symphony. That run-down house in St. Anne is a potent symbol of how a country can forget its cultural history.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 3 Trumpets
  • 3 Trombones
  • 1 Tuba
  • Alternative Parts Included, Suitable for Euphoniums

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Description

Florence Beatrice Price (née Smith; April 1887 – June 1953) was an American classical composer, pianist, organist and music teacher.  Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers was found in her abandoned summer home. Despite racial issues of the era, her family was well respected within their local community. She gave her first piano performance at the age of four and had her first composition published at the age of 11. After high school, she enrolled in the New England Conservatory of Music in Boston, Massachusetts. Initially, she passed herself off as Mexican to avoid the racial discrimination against African Americans, listing her hometown as Pueblo, Mexico.  At the Conservatory, she studied composition and counterpoint with composers George Chadwick and Frederick Converse Also while there, Smith wrote her first string trio and symphony. She graduated in 1906 with honours, and with both an artist diploma in organ and a piano teaching certificate. In 1910, she returned to Arkansas, where she taught briefly and then moved to Atlanta, Georgia. There she became the head of the music department of what is now Clark Atlanta University, a historically Black college. In 1912, she married Thomas J. Price, a lawyer. She gave up her teaching position and moved back to Little Rock, Arkansas, where he had his practice and had two daughters. She could not find work in the by now racially segregated town. After a series of racial incidents in Little Rock, particularly a lynching of a Black man in 1927, the Price family decided to leave. Like many Black families living in the Deep South, they moved north in the Great Migration to escape the Jim Crow conditions, and settled in Chicago. According to her daughter, Florence really wanted to be a doctor but felt the difficulties of becoming a woman doctor at the time were too formidable. Instead, she became that even greater rarity a woman composer of symphonies. In Chicago, Florence Price began a new and fulfilling period in her composition career; she was part of the Chicago Black Renaissance. She studied composition, orchestration, and organ with the leading teachers in the city, as well as studying languages and liberal arts subjects.

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society
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