Alligator Crawl

Composed by
Fats Waller
Arranged by
Jock McKenzie
Price
£ 20.00 

Originally designed as a response to the rapidly changing creative world of 2020 amidst the unprecedented COVID disruptions; The Summer Chores was created as a motivational tool for home use over the summer months for students and teachers alike, the intension being that the performer plays all the parts to each piece while learning and experimenting how to record themselves, learn how to make a click-track, how to multi-track, mix, video-edit and more….

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 5 Trumpets
  • Also suitable for various combinations of brass instruments
  • All parts in Bb Treble Clef

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Description

Alligator Crawl is the title track on an album recorded by Fats Waller in New York in November 1934 and is also listed as a Grade 8 Piano work on the Associated Board Exam Syllabus.

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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