Caramba Samba

Composed by
Keiron Anderson
Arranged by
Price
£ 30.00 

In the style of a samba

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Wind Band
  • Piccolo
  • Flute 1 & 2
  • Oboe 1 & 2
  • Eb Clarinet
  • Clarinets 1, 2 & 3
  • Alto Eb Clarinet
  • Bass Clarinet
  • Alto Saxophone 1 & 2
  • Tenor Saxophone
  • Baritone Saxophone
  • Bassoon 1 & 2
  • French Horns 1, 2, 3 & 4
  • Trumpets 1, 2 & 3
  • Trombones 1 & 2
  • Bass Trombone
  • Euphonium
  • Tuba
  • Double Bass (String Bass)
  • Timpani
  • Drum Set
  • Percussion 1: Bongos
  • Percussion 2: Xylophone

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Description

This music, in the style of a samba, is actually based on the natural rhythm of the phrase "Caramba Samba". It is idiomatic of Brazilian dance music whilst the scoring gives all the players an important roll in the score. This is a perfect opener or even finale to any concert, providing challenge for the performers whilst providing an exciting and accessible experience for the audience

Keiron Anderson studied at the Royal Northern College of Music with Philip Jones OBE at a time when the Philip Jones Brass Ensemble was established as a real force in brass chamber music. He was fascinated by the methods used by Philip Jones to achieve the unique and sophisticated blend of the instruments and players and how to apply the techniques to other same-family instrumental groups. At the RNCM, Keiron experienced a wide range of musical styles including founding the college Big Band and Light Orchestra which involved arranging film music and jazz classics. After graduating, Keiron worked as a freelance trumpet player with many orchestras around the UK including the soon to be disbanded BBC Northern Radio Orchestra. He then spent several years with his own group as a Musical Director for Cunard Line before returning to the UK to compose, conduct and teach music. He now conducts the acclaimed Harlequin Brass Ensemble, Yorkshire Wind Orchestra, Nottingham Symphonic Winds, Phoenix Concert Band and works with many ensembles around the country. He has written music in a vast array of styles for Wind Orchestra, Brass Band, Clarinet Choir, Flute Ensemble, Brass Dectet, Saxophone Groups and String Orchestra as well as several musicals and vocal works.

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society
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