Conquistador

Composed by
Jay Chattaway
Arranged by
Jock McKenzie
Price
£ 25.00 

Conquistador is the ninth album by the Canadian jazz trumpeter Maynard Ferguson on Columbia Records. The album is notable for its inclusion of the hit single Gonna Fly Now (Theme from Rocky) and was the most successful album of Ferguson's career, earning him his first gold record and a Grammy nomination.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 2 Percussion: Tambourine & Congas
  • All Alternative Brass Parts Included

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Description

Jay Chattaway is an American composer of film and television scores and is mainly known for his work as composer for several Star Trek television series. In 2001, he won an Emmy for Outstanding Music for the final episode of Star Trek: Voyager. Born in Monongahela, Pennsylvania and studied music at West Virginia University. Early in his career he became a regular member of a rhythm and blues band called the Abductors in which he played trumpet, wrote the musical scores and was musical director. He was drafted into the military while working on his degree and joined the Navy Band, serving as the unit's chief arranger and composer. After his discharge from the Navy, Chattaway moved to New York City to write music. He later moved to Los Angeles to compose for film. Chattaway is also well known as an arranger of big band charts for the Maynard Ferguson Orchestra during the 1970s, and also composed and co-wrote some of Ferguson's greatest hits from that period, includingConquistador, Superbone Meets the Bad Man and Primal Scream. While Ferguson was known to have an uncanny ability to change with the times, no one suspected that in the Spring of 1977, he would pull off the coup of his life. It had been decades since a big band recording had made the charts, but when he released his recording of Gonna Fly Now, ahead of the soundtrack version, Ferguson scored the biggest hit of his long career, while sparking a revival of interest in big band music. This recording had a 13-week run in the US Billboard's Hot100 chart. Jay Chattaway produced the album and worked on most the arrangements, before moving on to compose the scores for Star Trek: The Next Generation and its respected spin offs; Deep Space Nine, Voyager and Enterprise.

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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