Fairytale of New York

Composed by
Jem Finer & Shane MacGowan
Arranged by
Jock McKenzie
Price
£ 20.00 

Fairytale of New York is a song written by Jem Finer and Shane MacGowan and recorded by their band the Pogues, featuring singer-songwriter Kirsty MacColl on vocals. The song is an Irish folk-style ballad and was written as a duet, with MacGowan taking the role of the male character alongside MacColl.

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  • 1 Horn in F
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  • 1 Tuba
  • 1 Drum Kit
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Description

Fairytale of New York is a song written by Jem Finer and Shane MacGowan and recorded by their band the Pogues, featuring singer-songwriter Kirsty MacColl on vocals. The song is an Irish folk-style ballad and was written as a duet, with MacGowan taking the role of the male character alongside MacColl. It was originally released as a single on 23 November 1987 and later featured on the Pogues' 1988 album If I Should Fall from Grace with God. The song had a troubled two-year development history, undergoing rewrites and aborted attempts at recording, and losing its original female vocalist along the way before finally being completed in August 1987. The single never reached the coveted UK Christmas number one, being kept at number two. In the UK, Fairytale of New York is the most-played Christmas song of the 21st century and is frequently cited as the best Christmas song of all time in various media related polls in the UK. The origins of the song are disputed, MacGowan insisted that it arose as a result of a bet made by the Pogues' producer at the time, Elvis Costello, that the band would not be able to write a Christmas hit single. Banjo player Finer came up with the melody and the original concept for the song. The song follows an Irish immigrant's Christmas Eve reverie about holidays past while sleeping off a binge in a New York City drunk tank. The Pogues were an English Celtic punk band fronted by Shane MacGowan and founded in Kings Cross, London in 1982 as Pogue Mahone – the anglicisation of the Irish Gaelic póg mo thóin, meaning "kiss my arse". The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. Their politically-tinged music was informed by MacGowan and Spider Stacy's punk backgrounds yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin and accordion.

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)
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