Imperial March

Composed by
Sir Edward Elgar
Arranged by
Ian Shepherd
Price
£ 24.00 

Imperial March is an orchestral piece written by Elgar to celebrate the Diamond Jubilee of Queen Victoria in 1897. The first performance was at the Crystal Palace on April 19th 1897 conducted by August Manns.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 3 Optional Percussion: Timpani, Side Drum and Cymbals
  • Trumpet 1 requires Piccolo Trumpet
  • Trumpet 4 requires Flugel
  • All Alternative Brass Parts Included

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Description

Imperial March is an orchestral piece written by Elgar to celebrate the Diamond Jubilee of Queen Victoria in 1897. The first performance was at the Crystal Palace on April 19th 1897 conducted by August Manns. It was again played by massed bands at the Crystal Palace a week later and at a Royal Garden Party on June 28th, the actual anniversary of the Queen's coronation. The music created a great impression with the public at the time and helped to spread his name throughout London and beyond.

Sir Edward William Elgar (1857–1934) is often regarded as a typically English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello and two symphonies. He also composed choral works, including “The Dream of Gerontius”. He was appointed Master of the King's Musick in 1924 and has been described as the first composer to take the gramophone recording seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the microphone in 1925 made far more accurate sound reproduction possible and Elgar made new recordings of most of his major orchestral works.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

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