Kansas City Stomp

Composed by
Jelly Roll Morton
Arranged by
Jock McKenzie
Price
£ 15.00 

Kansas City Stomp is an jazz standard by Jelly Roll Morton, first recorded in 1923. It has been described as one of his (Morton's) happiest pieces.

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  • 2 Trumpets
  • 1 Horn in F
  • 1 Trombone (or Euphonium)
  • 1 Tuba
  • All Alternative Brass Parts Included

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Description

Morton was inspired in naming it after playing at a bar named Kansas City Bar in Tijuana and has nothing to do with Kansas City itself. In 1921, Morton established himself in Los Angeles and assembled a group to play gigs all over southern California, playing as far south as Tijuana. His experience there inspired him to compose this work as well as The Pearls for one of the waitresses at the bar. Morton recorded the tune in Richmond, Virginia in July 1923 along with Wolverine Blues and Grandpa's Spells.

Ferdinand Joseph LaMothe, professionally known as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer who started his career in New Orleans, Louisiana. Widely recognised as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues" was the first published jazz composition in 1915. Morton is also notable for writing such standards as "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say”. Notorious for his arrogance and self-promotion, Morton claimed to have invented jazz outright in 1902, much to the derision of fellow musicians and the critics. At the age of fourteen, Morton began working as a piano player in a brothel (or, as it was referred to back then, a sporting house). In that atmosphere, he often sang smutty lyrics and took the nickname "Jelly Roll". While working there, he was living with his religious, church-going great-grandmother; who he convinced that he worked as a night watchman in a barrel factory. After Morton's grandmother found out that he was playing jazz in a local brothel, she kicked him out of her house and told him that “devil music” would surely bring about his downfall. Born in downtown New Orleans, Louisiana, his exact birth date differs depending to whichever source you want to believe; his half-sisters claimed he was born in September 1885 but his World War 1 draft card showed September 1884 and his California death certificate listed his birth as September 1889. He died in 1941 in Los Angeles.

Jock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. From 1987 Jock based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Jock is a former Professional Leader (Brass) for Hampshire Music Service and was the Director of the Hampshire County Youth Band from 2004 until 2020. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music. In 2020 Jock was awarded an “Honorary Fellowship of the University of Winchester” for services to music education. Currently Jock is working part-time for the Royal Welsh College of Music and Drama; providing tuition for their Brass Teaching Module. In 2024 Jock was given the award for “Services to Youth” by Brass Bands England.

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

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