King Porter Stomp

Composed by
Jelly Roll Morton
Arranged by
Jock McKenzie
Price
£ 20.00 

Originally designed as a response to the rapidly changing creative world of 2020 amidst the unprecedented COVID disruptions; The Summer Chores was created as a motivational tool for home use over the summer months for students and teachers alike, the intension being that the performer plays all the parts to each piece while learning and experimenting how to record themselves, learn how to make a click-track, how to multi-track, mix, video-edit and more….

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 5 Trumpets
  • Also suitable for various combinations of brass instruments
  • All parts in Bb Treble Clef

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Description

King Porter Stomp is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz and became a big hit during the swing era, when it was recorded by Benny Goodman. According to Morton, the tune was composed in 1906 and was the first stomp in the history of jazz. Morton first recorded the number as a piano solo and said that it was named after his friend and fellow pianist Porter King. In July 1935, Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of the number and became a sizeable hit of the big band era

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

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