King Porter Stomp

Ferdinand Joseph LaMothe, professionally known as Jelly Roll Morton, was an American ragtime and early jazz pianist, band leader and composer who started his career in New Orleans, Louisiana. Widely recognised as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated. His composition "Jelly Roll Blues" was the first published jazz composition in 1915. Morton is also notable for writing such standards as "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say”. Notorious for his arrogance and self-promotion, Morton claimed to have invented jazz outright in 1902, much to the derision of fellow musicians and the critics. At the age of fourteen, Morton began working as a piano player in a brothel (or, as it was referred to back then, a sporting house). In that atmosphere, he often sang smutty lyrics and took the nickname "Jelly Roll". While working there, he was living with his religious, church-going great-grandmother; who he convinced that he worked as a night watchman in a barrel factory. After Morton's grandmother found out that he was playing jazz in a local brothel, she kicked him out of her house and told him that “devil music” would surely bring about his downfall. Born in downtown New Orleans, Louisiana, his exact birth date differs depending to whichever source you want to believe; his half-sisters claimed he was born in September 1885 but his World War 1 draft card showed September 1884 and his California death certificate listed his birth as September 1889. He died in 1941 in Los Angeles.

This composition is considered to be important in the development of jazz and became a big hit during the swing era, when it was recorded by Benny Goodman. According to Morton, the tune was composed in 1906 and was the first stomp in the history of jazz. Morton first recorded the number as a piano solo and said that it was named after his friend and fellow pianist Porter King. In July 1935, Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of the number and became a sizeable hit of the big band era.

Jock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. From 1987 Jock based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Jock is a former Professional Leader (Brass) for Hampshire Music Service and was the Director of the Hampshire County Youth Band from 2004 until 2020. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music. In 2020 Jock was awarded an “Honorary Fellowship of the University of Winchester” for services to music education. Currently Jock is working part-time for the Royal Welsh College of Music and Drama; providing tuition for their Brass Teaching Module. In 2024 Jock was given the award for “Services to Youth” by Brass Bands England.