Land of Hope & Glory

Composed by
Sir Edward Elgar
Arranged by
Tom Barton
Price
£ 20.00 

"Land of Hope and Glory" was written by Sir Edward Elgar in 1902, with lyrics by A. C. Benson. The music to which the words of "Land of Hope and Glory” are set is the "trio" theme from his “Pomp and Circumstance March No. 1”.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 2 Percussion: Timpani & Snare Drum
  • All Alternative Brass Parts Included

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Description

"Land of Hope and Glory" was written by Edward Elgar in 1902, with lyrics by A. C. Benson. The music to which the words of "Land of Hope and Glory” are set is the "trio" theme from his “Pomp and Circumstance March No. 1”. The words were fitted to this theme on the suggestion of King Edward VII who thought the melody would make a great song. "Land of Hope and Glory" has traditionally been sung amidst flag-waving at the climax of the BBC “Last Night of the Proms”. Englishman Sir Edward William Elgar, (1857-1934) whose best-known compositions are orchestral works are Enigma Variations, the Pomp and Circumstance Marches, Concertos for violin and cello, and two symphonies. Appointed Master of the King's Musick in 1924, Elgar is often regarded as perhaps the most typical of English composers and was self-taught, but most of his musical influences were not from England but from continental Europe. He was regarded with suspicion in some quarters and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins. Importantly Elgar has been described as the first composer to take the gramophone seriously and conducted a series of acoustic recordings of his works between 1914 and 1925. After the invention and introduction of the microphone it now made it far easier to make more accurate sound reproduction possible.

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

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