Next Stop Soweto

Composed by
Abdullah Ibrahim
Arranged by
Jock McKenzie
Price
£ 20.00 

Next Stop Soweto is a track from his 1989 compilation album, The African Recordings released on Kaz Records. On this track Ibrahim plays the cello accompanied by Sipho Gumede on bass, Gilbert Mathews on drums and basil Coetzee in tenor saxophone.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 3 Trumpets
  • 3 Trombones ( or Euphonium )
  • 1 Tuba
  • 1 Drum Kit (Optional)
  • Alternative Parts Included, Suitable for Euphoniums

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Description

Abdullah Ibrahim (born Adolph Johannes Brand in October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk, Fats Waller and Duke Ellington. He is known especially for Mannenberg, a jazz piece that became a notable anti-apartheid anthem. During the apartheid era in the 1960s, Ibrahim moved to New York City and, apart from a brief return to South Africa in the 1970s, remained in exile. Over the decades he has toured the world extensively, appearing at major venues either as a solo artist or playing with other renowned musicians, including Max Roach, Carlos Ward and Randy Weston, as well as collaborating with classical orchestras in Europe. With his wife, the jazz singer Sathima Bea Benjamin, he is father to the New York underground rapper Jean Grae, as well as to a son, Tsakwe. In July 2018, the National Endowment for the Arts (NEA) announced Abdullah Ibrahim as a recipient of the NEA Jazz Masters Fellowships, to be celebrated in a concert in April 2019 at the John F. Kennedy Center for the Performing Arts in Washington, DC. Awarded in recognition of lifetime achievement, the honour is bestowed on individuals who have made significant contributions to the art form. Since his return to South Africa in the early 1990s, he has been feted with symphony orchestra performances, one of which was in honour of Nelson Mandela's1994 inauguration as president. Mandela referred to him as "our Mozart”.

Next Stop Soweto is a track from his 1989 compilation album, The African Recordings released on Kaz Records. On this track Ibrahim plays the cello accompanied by Sipho Gumede on bass, Gilbert Mathews on drums and basil Coetzee in tenor saxophone.

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

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