Prayer Before Birth

Composed by
Keiron Anderson
Arranged by
Price
£ 30.00 

A musical setting of the Louis MacNiece poem of the same name for Symphonic Wind Orchestra and 4-Part Choir

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  • Wind Band and 4-Part Choir
  • Piccolo
  • Flute 1 & 2
  • Oboe 1 & 2
  • Eb Clarinet
  • Clarinets 1, 2 & 3
  • Alto Eb Clarinet
  • Bass Clarinet
  • Alto Saxophone 1 & 2
  • Tenor Saxophone
  • Baritone Saxophone
  • Bassoon 1 & 2
  • French Horns 1, 2, 3 & 4
  • Trumpets 1, 2 & 3
  • Trombones 1 & 2
  • Bass Trombone
  • Euphonium
  • Tuba
  • Double Bass (String Bass)
  • Timpani
  • Piano
  • Percussion 1: Suspended Cymbal, Snare Drum, Tambourine
  • Percussion 2: Glockenspiel
  • Percussion 3: Vibraphone

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Description

Composed for Wind Orchestra and 4-part choir with the greatest respect for the underlying meaning of this passionate poetry. This is musical setting of the Louis MacNiece poem of the same name. The poem was written during the Second World War, at a time of great turmoil and still relevant today, reflecting the emotional ups and downs of the text. The dramatic monologue takes the reader into the womb of an anonymous mother and written for her child that is not yet born, expressing the fears for the future and is an open attack on modern civilisation.

Keiron Anderson studied at the Royal Northern College of Music with Philip Jones OBE at a time when the Philip Jones Brass Ensemble was established as a real force in brass chamber music. He was fascinated by the methods used by Philip Jones to achieve the unique and sophisticated blend of the instruments and players and how to apply the techniques to other same-family instrumental groups. At the RNCM, Keiron experienced a wide range of musical styles including founding the college Big Band and Light Orchestra which involved arranging film music and jazz classics. After graduating, Keiron worked as a freelance trumpet player with many orchestras around the UK including the soon to be disbanded BBC Northern Radio Orchestra. He then spent several years with his own group as a Musical Director for Cunard Line before returning to the UK to compose, conduct and teach music. He now conducts the acclaimed Harlequin Brass Ensemble, Yorkshire Wind Orchestra, Nottingham Symphonic Winds, Phoenix Concert Band and works with many ensembles around the country. He has written music in a vast array of styles for Wind Orchestra, Brass Band, Clarinet Choir, Flute Ensemble, Brass Dectet, Saxophone Groups and String Orchestra as well as several musicals and vocal works.


“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”
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