Prelude from Te Deum

Composed by
Marc-Antoine Charpentier
Arranged by
Jock McKenzie
Price
£ 16.00 

Marc-Antoine Charpentier composed his motet Te Deum in D major between 1688 and 1698, it is written for a group of soloists, choir, and instrumental accompaniment.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 2 Percussion (Optional): Timpani & Snare Drum
  • Trumpet 4 doubles on Flugel
  • All Alternative Brass Parts Included

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Description

Marc-Antoine Charpentier (1643 –1704) born near Paris was a French composer of the Baroque period. An exceptionally prolific and versatile composer, Charpentier produced compositions of the very highest quality throughout his life. A very well-educated young man originally intending to enter the law profession, his musical mastery particularly in sacred vocal music was recognized and highly regarded by his contemporaries. He dropped out of his law studies in Paris and moved to Rome where he studied and absorbed the contemporary Italian music style of the time before bringing it back to France. Upon returning home, he began working as the house composer to the Duchesse de Guise. For the next seventeen years, Charpentier composed a large quantity of vocal works for the Duchesse such as psalms, hymns, motets, a mass and a succession of oratorio bearing strong Italian influences. Later in his career, Charpentier was appointed Master of Music for the Sainte-Chapelle in Paris in 1698, a royal position he held until his death in 1704. Most of Charpentier's compositions from this period have not survived because the royal administration confiscated everything when he died. Overall, his compositions include oratorios, masses, operas, and numerous smaller pieces. Many of these smaller works for one or two voices and instruments resemble the Italian cantata of the time, and once again share many Italian stylistic features.

Marc-Antoine Charpentier composed his motet Te Deum in D major between 1688 and 1698, it is written for a group of soloists, choir and instrumental accompaniment. Charpentier actually wrote six different Te Deum settings, although only four now survive. It is believed that it was written to mark the victory of the French over William, Prince of Orange at the Battle of Steinkirk in August 1692 in what is present day Belgium. Charpentier considered the key of D major as bright and warlike. The whole composition is scored for five soloists (SSATB) and choir (SATB), accompanied with an instrumental ensemble of 2 violins, 2 violas, 2 flutes, 2 oboes, 2 trumpets, timpani and basso continuo. Interestingly it was chosen in 1954 as the theme music by the new European Broadcasting Union, used notably before the popular Eurovision Song Contest.

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

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