Prelude from Te Deum

Composed by
Marc-Antoine Charpentier
Arranged by
Jock McKenzie
Price
£ 16.00 

Marc-Antoine Charpentier composed his motet Te Deum in D major between 1688 and 1698, it is written for a group of soloists, choir, and instrumental accompaniment.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
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  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 2 Percussion (Optional): Timpani & Snare Drum
  • Trumpet 4 doubles on Flugel
  • All Alternative Brass Parts Included

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Description

Marc-Antoine Charpentier (1643 –1704) born near Paris was a French composer of the Baroque period. An exceptionally prolific and versatile composer, Charpentier produced compositions of the very highest quality throughout his life. A very well-educated young man originally intending to enter the law profession, his musical mastery particularly in sacred vocal music was recognized and highly regarded by his contemporaries. He dropped out of his law studies in Paris and moved to Rome where he studied and absorbed the contemporary Italian music style of the time before bringing it back to France. Upon returning home, he began working as the house composer to the Duchesse de Guise. For the next seventeen years, Charpentier composed a large quantity of vocal works for the Duchesse such as psalms, hymns, motets, a mass and a succession of oratorio bearing strong Italian influences. Later in his career, Charpentier was appointed Master of Music for the Sainte-Chapelle in Paris in 1698, a royal position he held until his death in 1704. Most of Charpentier's compositions from this period have not survived because the royal administration confiscated everything when he died. Overall, his compositions include oratorios, masses, operas, and numerous smaller pieces. Many of these smaller works for one or two voices and instruments resemble the Italian cantata of the time, and once again share many Italian stylistic features.

Marc-Antoine Charpentier composed his motet Te Deum in D major between 1688 and 1698, it is written for a group of soloists, choir and instrumental accompaniment. Charpentier actually wrote six different Te Deum settings, although only four now survive. It is believed that it was written to mark the victory of the French over William, Prince of Orange at the Battle of Steinkirk in August 1692 in what is present day Belgium. Charpentier considered the key of D major as bright and warlike. The whole composition is scored for five soloists (SSATB) and choir (SATB), accompanied with an instrumental ensemble of 2 violins, 2 violas, 2 flutes, 2 oboes, 2 trumpets, timpani and basso continuo. Interestingly it was chosen in 1954 as the theme music by the new European Broadcasting Union, used notably before the popular Eurovision Song Contest.

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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