Rhosymedre

Composed by
J. D. Edwards
Arranged by
Jock McKenzie
Price
£ 15.00 

Rhosymedre is the name of a hymn tune written by the 19th-century Welsh Anglican priest J. D. (John David) Edwards. Edwards named the tune after the village of Rhosymedre in the County Borough of Wrexham, Wales, where he was the vicar from 1843 until his death in 1885

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 3 Trumpets
  • 3 Trombones
  • 1 Tuba
  • Alternative Parts Included
  • Suitable for Euphoniums

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Description

This hymn tune is seven lines long, with a metrical index of 6.6.6.6.8.8.8. It appears in a number of hymnals and is sung to a variety of words. The tune was used by Ralph Vaughan Williams as the basis of the second movement of his organ composition Three Preludes on Welsh Hymn Tunes. Although best known in this original version for solo organ, it is also well known as an orchestral arrangement by Arnold Foster published in 1938. The prelude has been arranged for other instruments or combinations of instruments, including solo piano, piano duet, clarinet choir and four recorders. The "Prelude on the Hymn Tune Rhosymedre was played at the funeral of Diana, Princess of Wales, at the request of her sister, Lady Sarah McCorquodale. It was also played at the weddings of her two sons − in April 2011 at Prince William's wedding and in May 2018 at Prince Harry's wedding and in 2023 at the coronation of Charles III and Camilla.

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

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