Sugarfoot Stomp

Composed by
Joe "King" Oliver
Arranged by
Jock McKenzie
Price
£ 20.00 

Originally designed as a response to the rapidly changing creative world of 2020 amidst the unprecedented COVID disruptions; these arrangements were created as a motivational tool for home use over the summer months for students and teachers alike, the intension being that the performer learns to play all the parts to each piece while learning and experimenting how to record themselves, how to make a click-track, how to multi-track, mix, video-edit and much more…. Due to popular demand these are now available again to purchase for ensembles of 5 Trumpets

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 5 Trumpets
  • Also suitable for various combinations of brass instruments

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Description

Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including Dippermouth Blues, Sweet Like This, Canal Street Blues, Doctor Jazz and Sugarfoot Stomp. As a player, Oliver took great interest in altering his horn's sound. He pioneered the use of mutes, including the rubber plumber's plunger, derby hat, bottles and cups. His favourite mute was a small metal mute made by the C.G. Conn Instrument Company, with which he played his famous solo on his own composition the Dippermouth Blues. His recording Wa Wa Wa with the Dixie Syncopators can be credited with giving the name wah-wah to such techniques.

 

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

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