Three Lions

Composed by
Skinner, Baddiel & Broudie
Arranged by
Chris Wilcox
Price
£ 20.00 

Three Lions is a song by English comedians David Baddiel and Frank Skinner and the rock band the Lightning Seeds. It was released in May 1996 to mark the England football team's participation in that year's UEFA European Championship, which England was hosting. The music was written by the Lightning Seeds singer Ian Broudie, while Baddiel and Skinner—presenters of the football comedy show Fantasy Football League provided the lyrics.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part A – Trumpet / Cornet in Bb
  • Part B – Trumpet / Cornet in Bb
  • Part C – French Horn (or Tenor Horn)
  • Part D – Trombone 1 (or Baritone/Euphonium 1)
  • Part E - Tuba (or Trombone 2 or Baritone/Euphonium 2)
  • Drum Kit

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Description

5 Part Pops for Brass is part of a new collection of Pop inspired arrangements for Brass Quintet arranged by Chris Wilcox.

We hope this repertoire will prompt a growing inquisitiveness for young brass players, and was created with a brass club or gathering in mind.

All transposed parts are included.

The title comes from the England team emblem. Both the original version of Three Lions and the updated Three Lions '98 reached number one on the UK Singles Charts. The song has been described as the de facto anthem of English football since 1996. It’s chorus, with the refrain "It's coming home", has become a popular chant for fans at England games. The Football Association (FA) asked songwriter Ian Broudie to compose a song for the 1996 UEFA European Football Championship. He composed a melody he felt would make a good football chant, and asked Skinner and Baddiel, to write the lyrics. The song title refers to the three lions on the England team crest. The chorus lyric, "it's coming home", reflected the fact that the Euro 96 competition was the first football competition England had hosted since the 1966 FIFA World Cup but has evolved to include the concept of the cup returning to the homeland of the sport. The song makes references to several players, Bobby Moore, Bobby Charlton, Nobby Stiles and Gordon Banks, who played in the 1966 World Cup winning England team.

Among the references in the song are:

•"That tackle by Moore": Bobby Moore's tackle of Jairzinho in a group match against Brazil at the 1970 FIFA World Cup.

•"When Lineker scored": Gary Lineker's goal against West Germany in a semi-final at the 1990 FIFA World Cup.

•"Bobby belting the ball": Bobby Charlton's goal against Mexico in a group match at the 1966 FIFA World Cup.

•"Nobby dancing": Nobby Stiles dancing with the Jules Rimet Trophy after England won the 1966 FIFA World Cup.

It was so popular that even other teams liked it.

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

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