A Handful of Keys

Composed by
Thomas "Fats" Waller
Arranged by
Jock McKenzie
Price
£ 20.00 

This terrific showstopper comes from the musical revue Ain't Misbehavin’,

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 in Bb
  • Part 2 in Bb
  • Part 3 in F, Eb, C and Bb
  • Part 4 in Eb, C and Bb
  • All Alternative Transposed Parts Included

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Description

A Handful of Keys is a composition in the stride piano style by Fats Waller and originally published by Chappel & Co. The piece has been the subject of a large number of interpretations, mostly for piano solo, but sometimes also with lyrics. This terrific showstopper comes from the musical revue Ain't Misbehavin’, co-written by Waller, Harry Brooks, Andy Razaf and others. This musical is a tribute to the black musicians of the 1920s and 1930s who were part of the Harlem Renaissance, an era of growing creativity, cultural awareness and ethnic pride. It was a time when Manhattan nightclubs like the Cotton Club and the Savoy Ballroom were the playgrounds of high society and were filled with piano players banging out the newest tunes in a swing style. The revue presented an evening of rowdy, raunchy, and humorous songs that encapsulated the various moods of the era and reflected a view of life as a journey meant for pleasure and play.

Thomas Wright "Fats" Waller (May 1904 – December 1943) was an American jazz pianist, organist, composer, singer, and comedic entertainer. His innovations in the Harlem stride style laid the groundwork for modern jazz piano. His best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller was the youngest of 11 children born to Adeline Locket Waller, a musician, and the Reverend Edward Martin Waller in New York City. He started playing the piano when he was six and graduated to playing the organ at his father's church. His mother taught him in his youth and he later attended private music lessons, paying for them by working in a local grocery store. Waller became one of the most popular performers of his era, finding critical and commercial success both in the USA and Europe. He was also a prolific songwriter, and many songs he wrote are still popular.

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

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