Canzon Vigesimanona

Composed by
Girolamo Frescobaldi
Arranged by
Jock McKenzie
Price
£ 20.00 

Girolamo Alessandro Frescobaldi (1583–1643) was a musician from Ferrara in Italy, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. Frescobaldi was appointed organist of St. Peter's Basilica, from 1608 until 1628 and again from 1634 until his death.

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  • Music for Brass Octet
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  • 4 Trumpets
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Description

Frescobaldi was a musician from Ferrara in Italy, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. Frescobaldi was appointed organist of St. Peter's Basilica, from 1608 until 1628 and again from 1634 until his death. Frescobaldi's collections contain some of the most influential music of the 17th century. His work influenced Johann Sebastian Bach, Henry Purcell, and countless other major composers. Pieces from his celebrated collection of liturgical organ music, Fiori Musicali (1635), were used as models of strict counterpoint as late as the 19th century. Contemporary accounts describe Frescobaldi as a child prodigy; he quickly gained prominence as a performer and patronage of important noblemen. Composers who visited Ferrara during the period included numerous important masters such as Claudio Monteverdi, John Dowland and Orlando de Lassus. Contemporary critics acknowledged Frescobaldi as the single greatest influence of keyboard music of his time, both as a player and composer. Frescobaldi’s music did not lose direct influence until the 1660s, and his works held influence over the development of keyboard music over a century after his death. The composer's other works include collections of canzonas, fantasias, capriccios, and other keyboard works. Frescobaldi was the first of the great composers of the ancient Franco-Dutch-Italian tradition who chose to focus his creative energy on instrumental composition and brought a wide range of emotion to the relatively unplumbed depths of instrumental music.

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

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www.theartsdesk.com

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

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