Down Among the Dead Men

Composed by
Henry Purcell
Arranged by
John Sweden
Price
£ 20.00 

"Down Among the Dead Men" is an English drinking song first published in 1728, but possibly of greater antiquity. The song begins with a toast to "the King" and continues with obeisance’s to the god Bacchus which become increasingly less subtle descriptions of the benefits of alcohol in procuring opportunities for sex.

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  • 1 Horn in F
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Description

"Down Among the Dead Men" is an English drinking song first published in 1728, but possibly of greater antiquity. The song begins with a toast to "the King" and continues with obeisance’s to the god Bacchus which become increasingly less subtle descriptions of the benefits of alcohol in procuring opportunities for sex. At the conclusion of each stanza of the song, those who deny the song's declarations are condemned to lay "down among the dead men," a euphemism for drunken unconsciousness. The lyrics to the song have been most widely attributed to John Dyer. It was first performed at the theatre at Lincoln's Inn Fields. The song makes use of a number of metaphors, most prominently the ”Dead men" being a term for empty bottles and the expression to "lie down among the dead men" means to get so drunk as to slip from one's chair and land under the table where the empty bottles have been discarded. The song maintained its popularity into the Victorian era, with the lyrics modified to replace the word "King" with the word "Queen" during the reign of Queen Victoria. Several vocal and instrumental performances of "Down Among the Dead Men" are included in the soundtrack to the 2013 video game Assassin's Creed IV: Black Flag.

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“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

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Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

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