Fiddley Fum

Composed by
Jock McKenzie
Arranged by
Price
£ 20.00 

This piece seeks to imitate a piece of Klezmer music. One particular characteristic of a Klezmer song or dance is where the music starts slow and gradually speeds up into something of a frenzy. In a typical Klezmer band the melody would be carried by either a Clarinet or Violin (Fiddle) hence Fiddley Fum.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Part 1 – Trumpet / Cornet in Bb
  • Part 2 – Trumpet / Cornet in Bb
  • Part 3 – Horn in Eb or F / Trombone / Baritone / Euphonium
  • Part 4 – Trombone / Baritone / Euphonium / Bass Trombone / Tuba
  • (8va options for Bass Trombone & Tuba)
  • Assorted optional percussion - prioritise drum kit

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Description

PARP ! - a collection of thirty original compositions.

Set at a Junior Band level, PARP ! follows a flexi scoring formula of mixed brass players; requiring a minimum of 4 brass players - but the maximum number is endless.

The pieces are predominantly groove based and seek to take participants through a wide range of styles and musical identities.

In the instance of using just four brass players, playing just the top part in each case will provide a cohesive performance.

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com
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