Intrada 6 (1608)

By
Melchior Franck
Arranged
Jock McKenzie
Price
£ 11.00 

Melchior Franck (1579–1639) was a German composer of the late Renaissance and early Baroque eras. He was a hugely prolific composer of Protestant church music, especially motets, and assisted in bringing the stylistic innovations of the Venetian School north across the Alps into Germany.

  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba

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Description

Melchior Franck (1579–1639) was a German composer of the late Renaissance and early Baroque eras. He was a hugely prolific composer of Protestant church music, especially motets, and assisted in bringing the stylistic innovations of the Venetian School north across the Alps into Germany. As is common for composers of the time, most details of his early life are sparse, but we do know he was born in Zittau, in South East Saxony close to the present tri-border point between, the Czech Republic, Poland and Germany. By 1601 Franck was in Nuremberg, working as a music teacher; where he met Hans Leo Hassler, and learned from him both the Venetian polychoral style and the polyphonic style of the Renaissance, both of which he incorporated into his own composition. Franck was a conservative composer who was a contemporary of the more famous Heinrich Schütz. Franck was a popular composer and wrote an enormous amount of music including more than 600 motets; in addition, he wrote secular songs, psalm settings, instrumental dances and numerous miscellaneous pieces. In 1602 he took a position as Kapellmeister in Coburg to Prince Johann Casimir, where he remained for the rest of his life. He was fortunate enough to have such a supportive patron, to allow him to continue his composing. Unfortunately, the Thirty Years' War devastated the region around Coburg; in addition, typhus brought by the armies depopulated the entire region and ruined the economy. Franck's wife and two of his children died during this period. Almost all of his motets used the late Renaissance style of Lassus, with carefully controlled dissonance and smoothly flowing polyphony. Many of his chorale motets, an exclusively Protestant variation of the motet are written in German and pay unusually close attention to text setting.

Jock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. Since 1987 Jock has based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Currently Jock holds the position of Professional Leader (Brass) for Hampshire Music Service and is the Director of the Hampshire County Youth Band. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music.

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

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