Prelude from Te Deum

Composed by
Marc-Antoine Charpentier
Arranged by
Jock McKenzie
Price
£ 20.00 

Originally designed as a response to the rapidly changing creative world of 2020 amidst the unprecedented COVID disruptions; The Summer Chores was created as a motivational tool for home use over the summer months for students and teachers alike, the intension being that the performer plays all the parts to each piece while learning and experimenting how to record themselves, learn how to make a click-track, how to multi-track, mix, video-edit and more….

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Music for Brass Octet
  • In 2 Antiphonal Choirs
  • 4 Trumpets
  • 4 Trombones

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Description

Marc-Antoine Charpentier was an exceptionally prolific and versatile French composer of the Baroque period, producing compositions of the very highest quality throughout his life. He composed his motet Te Deum in D major between 1688 and 1698, it was originally written for a group of soloists, choir, and instrumental accompaniment. It is believed that it was written to mark the victory of the French over William, Prince of Orange at the Battle of Steinkirk in August 1692 in what is present day Belgium. Charpentier considered the key of D major as bright and warlike. Interestingly it was chosen in 1954 as the theme music by the new European Broadcasting Union, used notably before the popular Eurovision Song Contest.

 

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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