Rigaudon

Composed by
André Campra
Arranged by
Jock McKenzie
Price
£ 20.00 

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Music for Brass Octet
  • In 2 Antiphonal Choirs
  • 4 Trumpets
  • 4 Trombones

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Description

André Campra (1660 – 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several tragédies en musique and opéra-ballets that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy. His father was his first music teacher.  He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless later made a chaplain. He served as maître de musique (music director) at the cathedrals of Arles and Toulouse and then, from 1694 to 1700, served in a similar capacity at the cathedral of Notre-Dame de Paris. Campra added violins to the performance of sacred music at the Paris cathedral, a controversial innovation in an era when they were considered street instruments. He began to compose for the theatre in 1697 and published some theatrical compositions under his brother's name to protect his reputation with church authorities. In 1700 he gave up his post at Notre-Dame and devoted himself to theatrical music with critical success. By 1705 he was such a musical celebrity that he became a target for negative articles in the press. In 1720, he adopted the composition of sacred music as his only profession.

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

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