Serenade for Strings

Composed by
Sir Edward Elgar
Arranged by
Adam Wright
Price
£ 20.00 

The Serenade for Strings in E minor, Op. 20, is a work for string orchestra in three short movements. Written in March 1892 and first performed in private in that year, by the Worcester Ladies' Orchestral Class, with the composer conducting.

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Description

Sir Edward William Elgar (1857–1934) is often regarded as a typically English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello and two symphonies. He also composed choral works, including “The Dream of Gerontius”. He was appointed Master of the King's Musick in 1924 and has been described as the first composer to take the gramophone recording seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the microphone in 1925 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works.

The Serenade for Strings in E minor, Op.20, is a work for string orchestra in three short movements. Written in March 1892 and first performed in private in that year, by the Worcester Ladies' Orchestral Class, with the composer conducting. It is dedicated to the organ builder and amateur musician Edward W Whinfield. The work has a youthful charm about it while at the same time displaying indications of the skills Elgar developed as he progressed towards musical maturity. It is reportedly the first of his compositions with which he professed himself satisfied. The work remains among the most frequently performed of all his music.

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Rex Richardson
International Trumpet Soloist

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)
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