Take Me Back

Composed by
A. J. Mills, Godfrey & Bennett Scott
Arranged by
Jock McKenzie
Price
£ 20.00 

Take Me Back to Dear Old Blighty is a music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916. It was popular during the First World War.

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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • 1 Glockenspiel (Optional)
  • All Alternative Brass Parts Included

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Description

This popular music hall song written by Arthur J. Mills, Fred Godfrey and Bennett Scott in 1916, was popular during the First World War, and tells a story of three fictional soldiers on the Western Front suffering from homesickness and their longing to return to "Blighty" - a slang term for Britain. Fred Godfrey wrote the song with Bennett Scott and A.J. Mills after passing a music hall in Oxford where a show called Blighty was showing. He recounts: "One of us suddenly said “What an idea for a song!” Four hours later it was all finished, and the whole country was singing it soon afterwards. The chorus lyric "Take me back to dear old Blighty/Put me on the train for London town" was included in The Oxford Dictionary of Quotations. Recordings by Florrie Forde and Ella Retford are the most commonly heard versions, though Dorothy Ward first sang it. Jolly Old Fellows performed the song in 1930. British singer Kevin Coyne also released a version on his 1978 album Dynamite Daze, with piano accompaniment by Tim Rice. Noël Coward used the song for his 1931 stage production Cavalcade, about British life in the first two decades of the twentieth century and in the 1944 film This Happy Breed. It was also used in the 1954 Errol Flynn film Lilacs in the Spring. A further recording of the song by Cicely Courtneidge from the 1962 film The L-Shaped Room was sampled at the beginning of the title track of the album The Queen Is Dead by the Smiths. A version called Bring it back to Blighty, with different lyrics, was recorded as the England song for the 2010 World Cup.

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

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