William Tell

By
Gioachino Rossini
Arranged
Jock McKenzie
Price
£ 14.00 

Gioachino Antonio Rossini (1792–1868) was an Italian composer who wrote operas, as well as some sacred music, songs, chamber music and piano pieces.

  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones 
  • 1 Euphonium
  • 1 Tuba
  • Optional Percussion
  • Percussion require: Timpani, Bass Drum, Cymbals and Triangle
  • Trumpet 1 doubles on Piccolo Trumpet

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Description

Gioachino Antonio Rossini (1792–1868) was an Italian composer who wrote operas, as well as some sacred music, songs, chamber music and piano pieces. A precocious composer of operas, he made his full debut at the age of eighteen.  To the Italian opera public, he established himself as an idol and earned the nickname "Signor Crescendo”. His best-known operas include the Italian comedies The Barber of Seville, An Italian Girl in Algiers and Cinderella. He also wrote a string of serious operas in Italian, including works such as Tancredi, Otello and Semiramide. The semi-serious opera The Thieving Magpie has one of Rossini's most celebrated overtures. After moving to Paris in 1824, he eventually started to write in French. After composing thirty-nine significant operas in nineteen years Rossini retired from the theatre in 1829 and was later affected by both physical and mental illnesses. A return to Paris from Italy in 1855 was followed by better health and the provision of exclusive musical and culinary soirées. During these, he presented salon music in the form of songs, piano pieces and small chamber ensembles that he called "Sins of Old Age". He considered the last of these "Sins" to be the unusually scored Petite messe solennelle (Little solemn mass). His final opera, the epic William Tell, replete with its iconic overture, helped usher in grand opera into France. William Tell or Guillaume Tell is an opera in four acts with a French libretto by Étienne de Jouy and Hippolyte Bis. Based on the play by Friedrich Schiller's play, it draws on the William Tell legend. The Paris Opéra first performed it in August 1829, but within three performances cuts were being made. The opera's length, roughly four hours of music, casting requirements and the extreme high range required for the tenor part contributed to the difficulty of producing this work. Political concerns have also contributed to the fortunes of the work. In Italy, because the work glorified a revolutionary figure fighting against authority, the opera encountered difficulties with the censors. When the opera was performed at Gran Teatre del Liceu in Barcelona in 1893, an anarchist threw bombs in the theatre. Several sections of the overture are prominently used in the film A Clockwork Orange and Shostakovich quotes the main theme of the finale in the first movement of his 15th symphony. What we regularly think of as the Lone Ranger theme is actually known as the March of The Swiss Soldiers and is a cavalry charge galop played by full orchestra. 

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“The arrangements all sound fresh, and the playing is beyond reproach.”

Dr. Gavin Dixon
Classical CD Reviews

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

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