Tango de Buenos Aires

Composed by
Keiron Anderson
Arranged by
Price
£ 30.00 

Written to celebrate the harmonic and rhythmic idioms of the great Astor Piazzola

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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • Wind Band
  • Piccolo
  • Flute 1 & 2
  • Oboe 1 & 2
  • Eb Clarinet
  • Clarinets 1, 2 & 3
  • Alto Eb Clarinet
  • Bass Clarinet
  • Alto Saxophone 1 & 2
  • Tenor Saxophone
  • Baritone Saxophone
  • Bassoon 1 & 2
  • French Horns 1, 2, 3 & 4
  • Trumpets 1, 2 & 3
  • Trombones 1 & 2
  • Bass Trombone
  • Euphonium
  • Tuba
  • Drum Set
  • Marimba
  • Vibraphone

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Description

Tango de Buenos Aires was written to celebrate the great Astor Piazzola, composer of dramatic Argentinian Tango music. This work attempts to capture the atmosphere with a modern adaptation of the dynamic rhythms and descending chromatic harmonies. It is a colourful addition to any programme and good for a quite serious or light concert.

Keiron Anderson studied at the Royal Northern College of Music with Philip Jones OBE at a time when the Philip Jones Brass Ensemble was established as a real force in brass chamber music. He was fascinated by the methods used by Philip Jones to achieve the unique and sophisticated blend of the instruments and players and how to apply the techniques to other same-family instrumental groups. At the RNCM, Keiron experienced a wide range of musical styles including founding the college Big Band and Light Orchestra which involved arranging film music and jazz classics. After graduating, Keiron worked as a freelance trumpet player with many orchestras around the UK including the soon to be disbanded BBC Northern Radio Orchestra. He then spent several years with his own group as a Musical Director for Cunard Line before returning to the UK to compose, conduct and teach music. He now conducts the acclaimed Harlequin Brass Ensemble, Yorkshire Wind Orchestra, Nottingham Symphonic Winds, Phoenix Concert Band and works with many ensembles around the country. He has written music in a vast array of styles for Wind Orchestra, Brass Band, Clarinet Choir, Flute Ensemble, Brass Dectet, Saxophone Groups and String Orchestra as well as several musicals and vocal works.

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“One of the all time great brass recordings OF ALL TIME”

Jiggs Whigham
International Jazz Trombone Soloist and Musical Director, BBC Big Band

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist
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