The Moose on the Loose

Composed by
Mark Hamlyn
Arranged by
Price
£ 20.00 

I had a dream of a moose that escapes captivity and heads towards the city. At first, he has a ball with all the new things to see but as he approaches the centre he gradually despairs at the chaos of the crowds of people and traffic.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 2 Percussion
  • Percussion section requires: Snare Drum and Cymbals

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Description

I had a dream of a moose that escapes captivity and heads towards the city. At first, he has a ball with all the new things to see but as he approaches the centre he gradually despairs at the chaos of the crowds of people and traffic. In the end he flees desperately out of the city and slams himself back into his cage. The piece is clearly a homage to Shostakovich and perhaps shouldn’t be taken too seriously. Mark Hamlyn.

Mark Hamlyn (b.1958) studied trombone, piano and composition at the Royal College of Music (1976-79). He transferred to Italy in 1985 to become principal trombone with the Orchestra Sinfonica della RAI di Roma. Subsequently dedicating more time to piano and composition, he became assistant to the two Italian film composers: Franco Piersanti and Carlo Crivelli. Among many pieces written for T.V., film, brass and students, he has written three arrangement/transcriptions of the entire Pink Floyd albums: Dark Side of the Moon, Wish you Were Here and Atom Heart Mother for 15 instruments, commissioned by the Officina Musicale di L’Aquila. Also, music to accompany four silent movies by Charlie Chaplin, Buster Keaton and Laurel & Hardy for various combinations of instruments. He is co-founder of the Orchestra Citta Aperta based in L’Aquila, Italy.

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal
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