The Moose on the Loose

Composed by
Mark Hamlyn
Arranged by
Price
£ 18.00 

I had a dream of a moose that escapes captivity and heads towards the city. At first, he has a ball with all the new things to see but as he approaches the centre he gradually despairs at the chaos of the crowds of people and traffic.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 2 Percussion
  • Percussion section requires: Snare Drum and Cymbals

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Description

I had a dream of a moose that escapes captivity and heads towards the city. At first, he has a ball with all the new things to see but as he approaches the centre he gradually despairs at the chaos of the crowds of people and traffic. In the end he flees desperately out of the city and slams himself back into his cage. The piece is clearly a homage to Shostakovich and perhaps shouldn’t be taken too seriously. Mark Hamlyn.

Mark Hamlyn (b.1958) studied trombone, piano and composition at the Royal College of Music (1976-79). He transferred to Italy in 1985 to become principal trombone with the Orchestra Sinfonica della RAI di Roma. Subsequently dedicating more time to piano and composition, he became assistant to the two Italian film composers: Franco Piersanti and Carlo Crivelli. Among many pieces written for T.V., film, brass and students, he has written three arrangement/transcriptions of the entire Pink Floyd albums: Dark Side of the Moon, Wish you Were Here and Atom Heart Mother for 15 instruments, commissioned by the Officina Musicale di L’Aquila. Also, music to accompany four silent movies by Charlie Chaplin, Buster Keaton and Laurel & Hardy for various combinations of instruments. He is co-founder of the Orchestra Citta Aperta based in L’Aquila, Italy.

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman
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