The Moose on the Loose

Composed by
Mark Hamlyn
Arranged by
Price
£ 20.00 

I had a dream of a moose that escapes captivity and heads towards the city. At first, he has a ball with all the new things to see but as he approaches the centre he gradually despairs at the chaos of the crowds of people and traffic.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 2 Percussion
  • Percussion section requires: Snare Drum and Cymbals

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Description

I had a dream of a moose that escapes captivity and heads towards the city. At first, he has a ball with all the new things to see but as he approaches the centre he gradually despairs at the chaos of the crowds of people and traffic. In the end he flees desperately out of the city and slams himself back into his cage. The piece is clearly a homage to Shostakovich and perhaps shouldn’t be taken too seriously. Mark Hamlyn.

Mark Hamlyn (b.1958) studied trombone, piano and composition at the Royal College of Music (1976-79). He transferred to Italy in 1985 to become principal trombone with the Orchestra Sinfonica della RAI di Roma. Subsequently dedicating more time to piano and composition, he became assistant to the two Italian film composers: Franco Piersanti and Carlo Crivelli. Among many pieces written for T.V., film, brass and students, he has written three arrangement/transcriptions of the entire Pink Floyd albums: Dark Side of the Moon, Wish you Were Here and Atom Heart Mother for 15 instruments, commissioned by the Officina Musicale di L’Aquila. Also, music to accompany four silent movies by Charlie Chaplin, Buster Keaton and Laurel & Hardy for various combinations of instruments. He is co-founder of the Orchestra Citta Aperta based in L’Aquila, Italy.

“Wow! What a great CD. The playing is superb”

Dr. Robert Childs
Musical Director, Cory Band

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

"The more I listen to this album the more I find to enjoy and the more impressed I am. The wealth of talent on display in terms of composing, performing, recording and producing is fantastic"

Kevin Morgan
The British Trombone Society

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com
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