Part of a collection of thirty original compositions and arrangements entitled Ba-Da-Boom Brass.
Inspired by the heritage and culture of world and historical brass-related styles.
We hope this repertoire will prompt a growing inquisitiveness for brass players of all ages and styles and was created with a brass club or gathering in mind.
Set at a moderate / training band standard, these pieces can be played by a flexi group of mixed brass instruments plus assorted optional percussion.
A minimum of 4 brass players is necessary, but the maximum is limitless.
All 4 brass voices have occasional divisi passages; in these instances more texture and harmonic colour is added.
In the instance of using just four brass players, playing just the top part in each case will provide a cohesive performance.
Tom Hark - This simple riff-based tune began life as a typical piece of South African township street music, played on the penny whistle.
This style of penny whistle-led music was known as Kwela music.
This was recorded by Elias and his Zig-Zag Jive Flutes in 1958 and enjoyed considerable chart success in the UK.
