Wild Cat Blues

Composed by
"Fats" Waller & Clarence Williams
Arranged by
Jock McKenzie
Price
£ 15.00 

Thomas Wright "Fats" Waller (May 1904 – December 1943) was an American jazz pianist, organist, composer, singer, and comedic entertainer.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 2 Trumpets
  • 1 Horn in F
  • 1 Trombone (or Euphonium)
  • 1 Tuba
  • All Alternative Brass Parts Included

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Description

Thomas Wright "Fats" Waller (May1904 – December 1943) was an American jazz pianist, organist, composer, singer,and comedic entertainer. His innovations in the Harlem stride style laid the ground work for modern jazz piano. His best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller was the youngest of 11 children born to Adeline Locket Waller, a musician, and the Reverend Edward Martin Waller in New York City. He started playing the piano when he was six and graduated to playing the organ at his father's church. His mother taught him in his youth and he later attended private music lessons, paying for them by working in a local grocery store. Waller became one of the most popular performers of his era, finding critical and commercial success both in the USA and Europe. He was also a prolific songwriter, and many songs he wrote are still popular.

Clarence Williams (October 1893 - November 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer and publisher. He was born in Plaquemine, Louisiana and ran away from home at the age 12 to join a traveling minstrel show, then later moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer playing the piano and was composing new tunes. Williams was a good business man too and worked arranging and managing entertainment at the localAfrican-American vaudeville theatre and at various saloons and dance halls around Rampart Street. Williams started a music publishing business which by the 1920’s was the leading African-American owned music publisher in the country. After settling in New York, he married blues singer Eva Taylor, with whom he would frequently perform. He was one of the primary pianists on scores of blues records recorded in New York during the time and also helped recruit many of the artists and led the studio bands who performed on the Okeh, Columbia and other record labels. These bands were known as the "Clarence Williams' Jazz Kings”, the "Clarence Williams' Washboard Five” and "The Red Onion Jazz Babies" which featured both Louis Armstrong and Sidney Bechet, two of the most important jazz soloists before the 1940s.

Jock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. From 1987 Jock based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Jock is a former Professional Leader (Brass) for Hampshire Music Service and was the Director of the Hampshire County Youth Band from 2004 until 2020. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music. In 2020 Jock was awarded an “Honorary Fellowship of the University of Winchester” for services to music education. Currently Jock is working part-time for the Royal Welsh College of Music and Drama; providing tuition for their Brass Teaching Module. In 2024 Jock was given the award for “Services to Youth” by Brass Bands England.

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“One of the all time great brass recordings OF ALL TIME”

Jiggs Whigham
International Jazz Trombone Soloist and Musical Director, BBC Big Band

"Who but the best professionals could live up to this ?... Everything about this disc is to be recommended, the recording is crystal clear and the playing and arranging of the first water”

Dr. Paul Sarcich
www.mvdaily.com

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

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