Come on Eileen

Composed by
Dexy’s Midnight Runners
Arranged by
Jock McKenzie
Price
£ 25.00 

Come on Eileen is a song by the English group Dexy's Midnight Runners and credited to Dexy's Midnight Runners and the Emerald Express, released in the UK in June 1982 as a single from their second studio album Too-Rye-Ay.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Brass Parts Included

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Description

Come on Eileen reached number one in the USA and was their second number one hit in the UK, following 1980's Geno. The song was produced by Clive Langer and Alan Winstanley and was initially claimed to be written by Kevin Rowland, Jim Paterson and Billy Adams, although Rowland later stated that the essence of the tune should be attributed to Kevin Archer. Come on Eileen won Best British Single at the 1983 Brit Awards. There are various versions of the song; some, in addition to the main section, feature either a Celtic fiddle-solo intro or an a cappella coda, both based on Thomas Moore's Irish folk song Believe Me, If All Those Endearing Young Charms. The main section begins with the Celtic-style fiddle played over a drum beat, with the bass guitar and piano providing accompaniment. Dexy's Midnight Runners are an English pop rock band from Birmingham, with soul influences, who achieved major commercial success in the early to mid-1980s. They are best known in the UK for their songs Come on Eileen and Geno, both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. During the late 1970s and early 1980s, Dexys went through numerous personnel changes over the course of three albums and 13 singles, with only singer/songwriter/co-founder Kevin Rowland remaining in the band through all of the transitions and only Rowland and "Big" Jim Paterson (trombone) appearing on all of the albums. The band broke up in 1987. After two failed restart attempts, Dexy's was reformed in 2003 with new members, as well as a few returning members from the band's original lineup and became known as Dexys Mark II.


“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

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