Come Sunday

By
Duke Ellington
Arranged
Jock McKenzie
Price
£ 20.00 

Come Sunday is a jazz standard by Duke Ellington, written in 1942 as a part of the first movement of a suite entitled Black, Brown and Beige.

  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba

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Description

Come Sunday is a jazz standard by Duke Ellington. It was written in 1942 as a part of the first movement of a suite entitled Black, Brown and Beige. Ellington was engaged for a performance at Carnegie Hall in January 1943 for which he wrote the entire composition. In 1958 he revised the piece and recorded it in its entirety for the 1958 album of the same name.

Edward Kennedy "Duke" Ellington (1899–1974) was an American composer, pianist and jazz orchestra leader, which he led from 1923 until his death over a career spanning more than six decades. Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured Europe. Although widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle and referred to his music as part of the more general category of American Music rather than to a musical genre such as jazz. Some of the jazz musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy. Ellington also recorded songs written by his bandsmen, for example Juan Tizol's "Caravan", and "Perdido", which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions and suites. Ellington was noted for his inventive use of the orchestra and for his eloquence and charisma. His reputation continued to rise after he died and he was awarded a posthumous Pulitzer Prize Special Award for music in 1999.


“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson

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