Mercy, Mercy, Mercy.

Composed by
Joe Zawinul
Arranged by
Jock McKenzie
Price
£ 25.00 

Mercy, Mercy, Mercy is a jazz song written by Joe Zawinul in 1966 for Cannonball Adderley and his album Mercy, Mercy, Mercy - Live at 'The Club. The song is the title track of the album and became a surprise hit.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Brass Parts Included

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Description

Mercy, Mercy, Mercy is a jazz song written by Joe Zawinul in 1966 for Cannonball Adderley and his album Mercy, Mercy, Mercy - Live at 'The Club. The song is the title track of the album and became a surprise hit. The original version was performed by: Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Joe Zawinul (electric piano), Victor Gaskin (bass) and Roy McCurdy (drums). The track is performed by Zawinul on a Wurlitzer electric piano. Mercy, Mercy, Mercy has been re-recorded numerous times, most notably by The Buckinghams in August 1967, who added lyrics to the tune. Josef Erich Zawinul (1932–2007) was an Austrian jazz composer and keyboard player that grew up in Vienna. He first came to prominence with saxophonist Cannonball Adderley and went on to play with Miles Davis, becoming one of the creators of jazz fusion, a new musical genre that combined jazz with rock. He co-founded the group Weather Report with Wayne Shorter, where he pioneered the use of electric piano and synthesizer. At an early age, the accordion was his first instrument, he later went on to study the clarinet, violin and piano at the Vienna Konservatorium. In 1959 he moved to the USA to attend Berklee College of Music, but a week later he received a job offer from Maynard Ferguson, so he left college and went on tour. He spent most of the 1960s with Cannonball Adderley, during which time he wrote Mercy, Mercy, Mercy, Walk Tall, and Country Preacher. At the end of the decade he recorded with Miles Davis on “In a Silent Way” as Davis was starting to experiment with jazz fusion. Weather Report’s biggest commercial success came from Birdland on their 1977 album Heavy Weather and is one of the most recognisable jazz pieces of the 1970s. Zawinul also wrote a symphony, called Stories of the Danube, which was commissioned by the Brucknerhaus for the opening of the 1993 Bruckner Festival in Linz.

“All cleverly arranged and beautifully played, with excellent sonics.”

John Sunier
Audiophile Audition

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

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