Next Stop Soweto

Composed by
Abdullah Ibrahim
Arranged by
Jock McKenzie
Price
£ 25.00 

Next Stop Soweto is a track from his 1989 compilation album, The African Recordings released on Kaz Records. On this track Ibrahim plays the cello accompanied by Sipho Gumede on bass, Gilbert Mathews on drums and basil Coetzee in tenor saxophone.

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Transposed Parts Included

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Description

Abdullah Ibrahim (born Adolph Johannes Brand in October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk, Fats Waller and Duke Ellington. He is known especially for Mannenberg, a jazz piece that became a notable anti-apartheid anthem. During the apartheid era in the 1960s, Ibrahim moved to New York City and, apart from a brief return to South Africa in the 1970s, remained in exile. Over the decades he has toured the world extensively, appearing at major venues either as a solo artist or playing with other renowned musicians, including Max Roach, Carlos Ward and Randy Weston, as well as collaborating with classical orchestras in Europe. With his wife, the jazz singer Sathima Bea Benjamin, he is father to the New York underground rapper Jean Grae, as well as to a son, Tsakwe. In July 2018, the National Endowment for the Arts (NEA) announced Abdullah Ibrahim as a recipient of the NEA Jazz Masters Fellowships, to be celebrated in a concert in April 2019 at the John F. Kennedy Center for the Performing Arts in Washington, DC. Awarded in recognition of lifetime achievement, the honour is bestowed on individuals who have made significant contributions to the art form. Since his return to South Africa in the early 1990s, he has been feted with symphony orchestra performances, one of which was in honour of Nelson Mandela's1994 inauguration as president. Mandela referred to him as "our Mozart”.

Next Stop Soweto is a track from his 1989 compilation album, The African Recordings released on Kaz Records. On this track Ibrahim plays the cello accompanied by Sipho Gumede on bass, Gilbert Mathews on drums and basil Coetzee in tenor saxophone.

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

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