Saeta

Composed by
Gil Evans
Arranged by
Tim Jackson
Price
£ 18.00 

A Saeta is a type of Spanish song particularly associated with religious processionals and which has strong Flamenco influences drawn from Andalucía in Southern Spain.

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  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 1 Drum Kit
  • 2 Percussion
  • Percussion section requires: Snare Drum & Tambourine
  • The ensemble should divide into 2 groups
  • Group 1 (Off-Stage): 3 Trumpets & 1 Snare Drum
  • Group 2: 1 Trumpet, 4 Trombones, 1 Tuba, 1 Drum Kit & 1 Percussion.
  • Reproduced by permission of Faber Music Ltd
  • All Alternative  Brass Parts Included

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Description

A Saeta is a type of Spanish song particularly associated with religious processionals and which has strong Flamenco influences drawn from Andalucía in Southern Spain. The Saeta is often sung by a Saetero from a balcony and would regularly be accompanied by beating horns and drums. This particular Saeta is an arrangement inspired by a Gil Evans original work recorded by Miles Davis on his album Sketches of Spain. This album saw collaboration between Davis and Evans of works influenced by the Spanish folk tradition and was considered the most accessible of Davis’ albums, being less improvisational and something other than jazz.

Ian Ernest Gilmore Green was born in Toronto in 1912. His surname was changed early on from Green to Evans, the name of his new stepfather. His family moved to California where he spent most of his youth and then moved to New York in 1946. He worked as an arranger in New York; his modest apartment became a meeting place for musicians looking to develop their own musical styles. Regular visitors included Charlie Parker, Gerry Mulligan and Miles Davis. In 1948 Davis, Mulligan and Evans collaborated within a 9 piece jazz ensemble led by Davis and were booked to support the Count Basie Orchestra. Capitol records recorded several numbers from these concerts, which were later re-issued as Miles Davis’ Birth of the Cool. Later when Davis was under contract with Columbia Records he collaborated with Evans on Miles Ahead, Porgy & Bess and Sketches of Spain. As a jazz pianist, arranger, composer, and bandleader Gil Evans played an important part in the development of cool jazz and free jazz. He died in Mexico in 1988.


“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Under the Spell of Spain is a showcase of virtuosic playing by some of London’s finest brass and percussion players. Highly recommended!”

Jon Gorrie
Founder, BrassMusician.com

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“Exploding onto the brass music scene with their debut album ‘Under the Spell of Spain’, the depth of versatility and virtuosity within the ranks of Superbrass has firmly secured it's place as one of the greatest large brass ensembles of all time”

Tom Davoren
Brass Band World

“Just wanted to give a general shout-out to SUPERBRASS - who are truly super-bad; for my money, one of the most exciting large brass ensembles EVER.”

Rex Richardson
International Trumpet Soloist

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

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