It Don’t Mean a Thing

Composed by
Duke Ellington
Arranged by
Jock McKenzie
Price
£ 25.00 

It Don't Mean a Thing (If It Ain't Got That Swing) by Duke Ellington. Jazz historian Gunther Schuller characterised it as "legendary" and "a prophetic piece and a prophetic title." The song became famous as the expression of a sentiment which prevailed among jazz musicians at the time."

Welcome to Skool of Brass

  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 1 Drum Kit
  • All Alternative Brass Parts Included

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Description

It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 composition by Duke Ellington, with lyrics written by Irving Mills. Jazz historian Gunther Schuller characterised it as "legendary" and "a prophetic piece and a prophetic title." The song became famous as the expression of a sentiment which prevailed among jazz musicians at the time." Ellington credited the saying as a "credo" for his former trumpeter, Bubber Miley, who was dying of tuberculosis at the time. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.

Edward Kennedy "Duke" Ellington (1899–1974) was an American composer, pianist and jazz orchestra leader, which he led from 1923 until his death over a career spanning more than six decades. Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured Europe. Although widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle and referred to his music as part of the more general category of American Music rather than to a musical genre such as jazz. Some of the jazz musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy. Ellington also recorded songs written by his bandsmen, for example Juan Tizol's "Caravan", and "Perdido", which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions and suites. Ellington was noted for his inventive use of the orchestra and for his eloquence and charisma. His reputation continued to rise after he died and he was awarded a posthumous Pulitzer Prize Special Award for music in 1999.


“The entire programme can be likened to a sumptuous feast, with each track having its own highly delectable and thoroughly satisfying flavour. The CD is surely compulsive listening for all brass and percussion enthusiasts.”

C Brian Buckley
Brass Band World

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

“This is absolutely one of the finest and most creative brass ensembles in the world."

Marc Dickman
University of South Florida writing in the International Trombone Association Journal

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“Another impressive offering then from Superbrass, and a worthy successor to their excellent debut disc”

Dr. Gavin Dixon
Classical-CD-Reviews.Com

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com

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