Juanear

Composed by
Jim Rattigan
Arranged by
Price
£ 24.00 

The idea for Juanear (meaning “to dupe”) came on one such visit, where Jim encountered the lively town band that loves to let its hair down playing latin jazz.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • 4 Trumpets
  • 1 Horn in F
  • 4 Trombones
  • 1 Tuba
  • 1 Drum Kit
  • 2 Percussion: Claves, Whistle and Cascara
  • All Alternative Brass Parts Included

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Description

Jim is a frequent visitor to the city of Vitoria-Gasteiz in the Basque province of Northern Spain. The idea for Juanear (meaning “to dupe”) came on one such visit, where Jim encountered the lively town band that loves to let its hair down playing latin jazz. He was particularly impressed with Juan, the enthusiastic trombone soloist and Miguel the crazy trumpeter who played by ear and was never happier than when playing everything an octave (or two) above the ozone layer.

Jim Rattigan has performed all over the world both as a jazz soloist and as a band member of various groups. These include the Michael Brecker Quindectet, the Charlie Haden/Carla Bley Liberation Music Orchestra, the McToy Tyner Big Band, Django Bates’ Delightful Precipice, the Creative Jazz Orchestra with Kenny Wheeler, Brad Mehldau with the Britten Sinfonia, the Guy Barker Big Band and the Simon Purcell Purcell Octet. Jim has toured and recorded with the Mike Gibbs Band, Hans Kollers’ New Memories, the London Sinfonietta, the Julian Arguelles Ensemble and Mark Lockheart’s Scratch Band. Jim formed “Pavillon” in 2000 and recorded “Unfamiliar Guise”. In 2004 he recorded “Jazz French Horn”, in 2010 he released “Shuzzed” and in 2011 “Strong Tea’. Jim studied French horn at Trinity College of Music and the Royal Academy of Music in London. Whilst a student, he worked with the Bobby Lamb/Ray Premru Big Band, he was also a member of the European Community Youth Jazz Orchestra (Eurojazz). On leaving college he embarked on a free-lance career working with all the major London orchestras and small ensembles. He joined the Royal Philharmonic Orchestra (RPO) where he was a member for six years, he left the RPO in 1995 to concentrate on composition and develop his passion for jazz on french horn. Jim has written music for many types of ensemble for performance and recording as well as music for film, T.V. and radio.

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

“The CD is just fabulous. The ensemble playing is fantastic; the tightness of the ensemble is amazing; the balance and dynamics are just brilliant.”

Philip Biggs
The Brass Herald

“Under the Spell of Spain defies any category other than: superb.”

Nicholas F. Mondello
Allaboutjazz.com
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