The Can-can

Composed by
Jacques Offenbach
Arranged by
Tom Barton
Price
£ 20.00 

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings.

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  • For Conductors, Teachers and/or Students
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 2 Percussion (Optional): Timpani, Triangle & Suspended Cymbal
  • All Alternative Brass Parts Included

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Description

Jacques Offenbach (1819-1880) was a German-born French composer and impresario of the romantic period. He is best remembered for nearly 100 operettasof the 1850s–1870s and his uncompleted opera “The Tales of Hoffmann”. He was a powerfulinfluence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan.

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats,and black stockings. The main features of the dance are the lifting and manipulation of the skirts, with high kicking and suggestive, provocative body movements. It first appeared in the working-class ballrooms of Montparnasse in Paris in around 1830. The dance did cause something of a scandal,and fora while, there were attempts to repress it. Occasionally people dancing thecan-can were arrested but it was never officially banned.

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“This is a wonderfully charismatic disc with playing of the highest quality. I cannot recommend it highly enough.”

David Bremner
The Mouthpiece
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