The Can-can

Composed by
Jacques Offenbach
Arranged by
Tom Barton
Price
£ 20.00 

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 2 Percussion (Optional): Timpani, Triangle & Suspended Cymbal
  • All Alternative Brass Parts Included

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Description

Jacques Offenbach (1819-1880) was a German-born French composer and impresario of the romantic period. He is best remembered for nearly 100 operettasof the 1850s–1870s and his uncompleted opera “The Tales of Hoffmann”. He was a powerfulinfluence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan.

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats,and black stockings. The main features of the dance are the lifting and manipulation of the skirts, with high kicking and suggestive, provocative body movements. It first appeared in the working-class ballrooms of Montparnasse in Paris in around 1830. The dance did cause something of a scandal,and fora while, there were attempts to repress it. Occasionally people dancing thecan-can were arrested but it was never officially banned.

“This is joyous stuff; an intelligent, coherent crossover disc, performed with phenomenal punch. Brilliantly recorded too – what’s the point of assembling a collective of virtuoso brass players if they can’t make your ears bleed ?”

Graham Rickson
www.theartsdesk.com

"WOW !!!!! all of you should be locked up !!!! What great stuff - the compositions/arrangements, the playing (OUTRAGEOUS !!! ), everything is simply fantastic. (actually - i couldn't have expected anything less ! ) Many, many thanks to you and all for your superb contributions. yet again, you've managed to raise the bar! (an inch or two is ok but a few yards is really unfair !!!!!!!!!! )"

Jiggs Whigham
International Jazz Trombone Soloist, Musical Director, BBC Big Band, President International Trombone Association and Professor Hanns Eisler College of Music, Berlin

“Many recordings over the last few decades have demonstrated the superb quality of British brass playing; 'Under the Spell of Spain' will rightfully take its place among them.”

Paul Sarcich
www.dailyclassicalmusic.com

“The end result, is a resounding success. This is not a commercial CD, this is education, passion and self belief written in the sleeve notes”

Richard Walker
British Trombone Society

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

“An absorbing selection of refined choices and inspirational highlights. Marvellous."

Keith Ames
The Musician (MU)
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