The Can-can

Composed by
Jacques Offenbach
Arranged by
Tom Barton
Price
£ 20.00 

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
  • Backing Tracks are Free to Download
  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
  • Turn your Practice into a Performance and have fun !
  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 2 Percussion (Optional): Timpani, Triangle & Suspended Cymbal
  • All Alternative Brass Parts Included

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Description

Jacques Offenbach (1819-1880) was a German-born French composer and impresario of the romantic period. He is best remembered for nearly 100 operettasof the 1850s–1870s and his uncompleted opera “The Tales of Hoffmann”. He was a powerfulinfluence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan.

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats,and black stockings. The main features of the dance are the lifting and manipulation of the skirts, with high kicking and suggestive, provocative body movements. It first appeared in the working-class ballrooms of Montparnasse in Paris in around 1830. The dance did cause something of a scandal,and fora while, there were attempts to repress it. Occasionally people dancing thecan-can were arrested but it was never officially banned.

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Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

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Boston University writing in the International Trombone Association Journal

“Every now and again a recording that is both truly outstanding and will have great appeal to brass band listeners appears on the shelves. We are delighted to make it the first recipient of our CD of the Year Editors Award.”

Kenneth Crookston
British Bandsman

“Superbrass is superfun ! This Phillip Jones-inspired brass ensemble based in London has recorded a remarkably colorful and engaging CD”

Lydia Van Dreel
The Horn Call Journal of the International Horn Society

It is scintillatingly good. Superbrass more than live up to their name.”


Peter Bale
4barsrest.com

The Brass Herald

Lyndon Chapman
“Simply some of the most exciting and triumphant brass playing I have ever heard!”
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