The Can-can

Composed by
Jacques Offenbach
Arranged by
Tom Barton
Price
£ 20.00 

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings.

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  • For Conductors, Teachers and/or Students
  • Percussion Backing Tracks to accompany Superbrass Educational Material
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  • We always use 4 bars of Introduction before each tune starts (unless otherwise stated)
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  • 4 Trumpets
  • 1 Horn in F
  • 3 Trombones
  • 1 Euphonium (or Trombone)
  • 1 Tuba
  • 2 Percussion (Optional): Timpani, Triangle & Suspended Cymbal
  • All Alternative Brass Parts Included

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Description

Jacques Offenbach (1819-1880) was a German-born French composer and impresario of the romantic period. He is best remembered for nearly 100 operettasof the 1850s–1870s and his uncompleted opera “The Tales of Hoffmann”. He was a powerfulinfluence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan.

The “Can-can” is a high-energy and physically demanding music hall dance, traditionally performed by a chorus line of female dancers who wear costumes with long skirts, petticoats,and black stockings. The main features of the dance are the lifting and manipulation of the skirts, with high kicking and suggestive, provocative body movements. It first appeared in the working-class ballrooms of Montparnasse in Paris in around 1830. The dance did cause something of a scandal,and fora while, there were attempts to repress it. Occasionally people dancing thecan-can were arrested but it was never officially banned.

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Under the Spell of Spain is an extraordinary CD, in company with the finest large brass ensemble recordings ever made. This is a must buy CD!”

Don Lucas
Boston University writing in the International Trombone Association Journal

“One of the finest brass ensemble recordings that has ever come my way.”

Rodney Newton
Composer, arranger and music journalist

“Stunning playing all round and a perfect 'snapshot' of the incredibly high standards of performance in brass playing in London today."

Peter Bassano
Head of Brass Royal College of Music (retired)

“Brilliant technique and superb artistry from all concerned.”

Denis Wick

“This intriguing "water-borne" voyage runs the gamut from more classically-tinged interpretations to straight-ahead and improvised jazz. Along that journey we are treated to a highly inspired and masterfully presented performance.”

Nicholas F. Mondello
Allaboutjazz.com
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